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Kylix (drinking Cup), Kylix
In the pottery of ancient Greece, a ''kylix'' ( , ; grc, κύλιξ, pl. κύλικες; also spelled ''cylix''; : ''kylikes'' , ) is the most common type of cup in the period, usually associated with the drinking of wine. The cup often consists of a rounded base and a thin stem under a basin. The cup is accompanied by two handles on opposite sides. The inner basin is often adorned in the bottom so that as the liquid is consumed an image is revealed; this adornment is usually in a circular frame and called a Tondo (art), tondo. There are many variations of the ''kylikes'', other cups available in the era include the ''skyphos'', or the ''Kantharos, kantharoi''. ''Kylikes'' were also popular exports, being the most common pottery import from Attica found in Etruscan civilization, Etruscan settlements. Etymology The Greek language, Greek word ''kylix'', meaning "cup", could refer to both a drinking vessel as well as the cup shape of a flower. It is possibly related to the Lat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kylix 61
In the pottery of ancient Greece, a kylix ( , ; grc, κύλιξ, pl. κύλικες; also spelled cylix; pl.: kylikes , ) is the most common type of wine-drinking cup. It has a broad, relatively shallow, body raised on a stem from a foot and usually two horizontal handles disposed symmetrically. The main alternative wine-cup shape was the ''kantharos'', with a narrower and deeper cup and high vertical handles. The almost flat interior circle of the base of the cup, called the tondo, was generally the primary surface for painted decoration in the black-figure or red-figure pottery styles of the 6th and 5th century BC, and the outside was also often painted. As the representations would be covered with wine, the scenes would only be revealed in stages as the wine was drained. They were often designed with this in mind, with scenes created so that they would surprise or titillate the drinker as they were revealed. Etymology The word comes from the Greek ''kylix'' ("cup"), w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dionysus
In ancient Greek religion and myth, Dionysus (; grc, Διόνυσος ) is the god of the grape-harvest, winemaking, orchards and fruit, vegetation, fertility, insanity, ritual madness, religious ecstasy, festivity, and theatre. The Romans called him Bacchus ( or ; grc, Βάκχος ) for a frenzy he is said to induce called ''bakkheia''. As Dionysus Eleutherios ("the liberator"), his wine, music, and ecstatic dance free his followers from self-conscious fear and care, and subvert the oppressive restraints of the powerful. His ''thyrsus'', a fennel-stem sceptre, sometimes wound with ivy and dripping with honey, is both a beneficent wand and a weapon used to destroy those who oppose his cult and the freedoms he represents. Those who partake of his mysteries are believed to become possessed and empowered by the god himself. His origins are uncertain, and his cults took many forms; some are described by ancient sources as Thracian, others as Greek. In Orphic religion, he wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Red-figure Pottery
Red-figure vase painting is one of the most important styles of figural Greek vase painting. It developed in Athens around 520 BCE and remained in use until the late 3rd century BCE. It replaced the previously dominant style of black-figure vase painting within a few decades. Its modern name is based on the figural depictions in red color on a black background, in contrast to the preceding black-figure style with black figures on a red background. The most important areas of production, apart from Attica, were in Southern Italy. The style was also adopted in other parts of Greece. Etruria became an important center of production outside the Greek World. Attic red-figure vases were exported throughout Greece and beyond. For a long time, they dominated the market for fine ceramics. Few centers of pottery production could compete with Athens in terms of innovation, quality and production capacity. Of the red-figure vases produced in Athens alone, more than 40,000 specimens and fra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Black-figure Pottery
Black-figure pottery painting, also known as the black-figure style or black-figure ceramic ( grc, , }), is one of the styles of painting on antique Greek vases. It was especially common between the 7th and 5th centuries BCE, although there are specimens dating as late as the 2nd century BCE. Stylistically it can be distinguished from the preceding orientalizing period and the subsequent red-figure pottery style. Figures and ornaments were painted on the body of the vessel using shapes and colors reminiscent of silhouettes. Delicate contours were incised into the paint before firing, and details could be reinforced and highlighted with opaque colors, usually white and red. The principal centers for this style were initially the commercial hub Corinth, and later Athens. Other important production sites are known to have been in Laconia, Boeotia, eastern Greece, and Italy. Particularly in Italy individual styles developed which were at least in part intended for the Etruscan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Colmar Painter - Running Warrior - Walters 481920 - Detail(1)
Colmar (, ; Alsatian: ' ; German during 1871–1918 and 1940–1945: ') is a city and commune in the Haut-Rhin department and Grand Est region of north-eastern France. The third-largest commune in Alsace (after Strasbourg and Mulhouse), it is the seat of the prefecture of the Haut-Rhin department and of the subprefecture of the Colmar-Ribeauvillé arrondissement. The city is renowned for its well-preserved old town, its numerous architectural landmarks, and its museums, among which is the Unterlinden Museum, which houses the '' Isenheim Altarpiece''. Colmar is situated on the Alsatian Wine Route and considers itself to be the "capital of Alsatian wine" ('). History Colmar was first mentioned by Charlemagne in his chronicle about Saxon wars. This was the location where the Carolingian Emperor Charles the Fat held a diet in 884. Colmar was granted the status of a free imperial city by Emperor Frederick II in 1226. In 1354 it joined the Décapole city league.G. Köbler, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Merrythought Cup
The term Merrythought cup is used by scholars to describe a specific type of Attic ''kylix''. The Merrythought cup, named after the British word for "wishbone," probably developed as a refined form of a rural cup type normally made of wood. The shape features several peculiarities. It is the first Attic cup shape that lacks a distinctive break between lip and vessel body. The shape of the handles, which give the vessel its name, are in the oblong wishbone shape, with a knob shape on the curve of the handle. Rather than forming a semi-circle, as is the case in virtual all other cup shapes. Equally unusual, the handles extend beyond the height of the vessel body. The cups, mostly covered in black slip, occasionally feature thin stripes of red paint on the foot or the interior. This resembles East Greek and other Attic decorative styles. The vase body is nearly hemispherical. The first Attic artist to decorate Merrythought cups in the black-figure style was the C Painter The C Painter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lip Cup
Lip cups are a type of ancient Greek Attic Little-master cups. Lip cups were produced from the middle of the sixth century BC in Athens. They resemble Gordion cups, but their lips or rims were more clearly distinguished from the rest of the body. They had high feet on broad bases. Early specimens in particular feature hollow conical feet with walls of even thickness. This cup type was painted on the lip/rim. Usually, one to three figures are placed at the centre of the front and back, painted directly onto the base clay. Complete mythical scenes were rare. Often, the lip remained completely undecorated. Further decorations were painted in the handle zone. They nearly always included inscriptions between the handle palmettes, as well as a painted strip near the upper edge. Rarely, the palmettes are replaced with animal or human figures. The inscriptions can be of mottos or toasts, or simply be meaningless arrays of letters, suggesting a mostly ornamental function. The cup interior fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kassel Cup
Kassel cups are a specific type of Attic Little-master cups, produced in Athens around 540 to 520 BC. Kassel cups are quite similar to Band cups, but shallower and usually rather small. The lip and body of the vase are usually decorated with simple band patterns. Normally, there are flame motifs on the lip and rays on the body. Some painters added silhouette-like figures in the handle zone. The decorations suggest a link with Siana cups. The name is derived from a piece found on Samos in 1898, and on display in Kassel Kassel (; in Germany, spelled Cassel until 1926) is a city on the Fulda River in northern Hesse, Germany. It is the administrative seat of the Regierungsbezirk Kassel and the district of the same name and had 201,048 inhabitants in December 2020 ... until its destruction in 1945. Bibliography * John Boardman: ''Schwarzfigurige Vasen aus Athen. Ein Handbuch'', Mainz 1977, , p. 69 * Berthold Fellmann, in: ''Kunst der Schale – Kultur des Trinkens'', Münche ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eye-cup
Eye-cup is the term describing a specific cup type in ancient Greek pottery, distinguished by pairs of eyes painted on the external surface. Description Classified as '' kylikes'' in terms of shape, eye-cups were especially widespread in Athens and Chalkis in the second half of the sixth century BC. The bowl of the eye-cup rests on a short squat foot; both sides are dominated by large painted pairs of eyes under arched eyebrows. The eyeballs are painted in silhouette style, later often filled with white paint or painted white on black. Some eyes are “female”, i.e. almond-shaped and without tear-ducts. Often, a stylized nose is placed centrally between the eyes. While used as a drinking vessel, due to the necessary inclination of the vessel, the cup with its painted eyes, the handles looking like ears and the base of the foot like a mouth, would have resembled a mask. Many of the vases also bear dionysiac imagery. The eyes are assumed to have served an apotropaic (evil-a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Corinth
Corinth ( ; el, Κόρινθος, Kórinthos, ) is the successor to an ancient city, and is a former municipality in Corinthia, Peloponnese, which is located in south-central Greece. Since the 2011 local government reform, it has been part of the municipality of Corinth, of which it is the seat and a municipal unit. It is the capital of Corinthia. It was founded as Nea Korinthos (), or New Corinth, in 1858 after an earthquake destroyed the existing settlement of Corinth, which had developed in and around the site of ancient Corinth. Geography Located about west of Athens, Corinth is surrounded by the coastal townlets of (clockwise) Lechaio, Isthmia, Kechries, and the inland townlets of Examilia and the archaeological site and village of ancient Corinth. Natural features around the city include the narrow coastal plain of Vocha, the Corinthian Gulf, the Isthmus of Corinth cut by its canal, the Saronic Gulf, the Oneia Mountains, and the monolithic rock of Acrocorinth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Athens
Athens ( ; el, Αθήνα, Athína ; grc, Ἀθῆναι, Athênai (pl.) ) is both the capital and largest city of Greece. With a population close to four million, it is also the seventh largest city in the European Union. Athens dominates and is the capital of the Attica region and is one of the world's oldest cities, with its recorded history spanning over 3,400 years and its earliest human presence beginning somewhere between the 11th and 7th millennia BC. Classical Athens was a powerful city-state. It was a centre for the arts, learning and philosophy, and the home of Plato's Academy and Aristotle's Lyceum. It is widely referred to as the cradle of Western civilization and the birthplace of democracy, largely because of its cultural and political influence on the European continent—particularly Ancient Rome. In modern times, Athens is a large cosmopolitan metropolis and central to economic, financial, industrial, maritime, political and cultural life in Gre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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